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SAT Section One : Critical Reading Sample Questions:

1. (1) An incredible hot-air balloon exhibition happened on September 5, 1862.
(2) It was given by Glaisher and Coxwell, two Englishmen.
(3) There was no compressed oxygen for them to breathe in those days.
(4) They got so high that they couldn't use their limbs.
(5) Coxwell had to open the descending valve with his teeth.
(6) Before Glaisher passed out, he recorded an elevation of twenty- nine thousand feet.
(7) Many believe they got eight thousand feet higher before they began to descend, making their ascent
the highest in the nineteenth century.
(8) Now the largest balloon to go up in the nineteenth century was "The Giant."
(9) The balloon held 215,000 cubic feet of air and was 74 feet wide.
(10) It could carry four and a half tons of cargo.
(11) Its flight began in Paris, in 1853, with fifteen passengers.
(12) All of whom returned safely.
(13) The successful trip received a great deal of national and international press because many thought
the hot- air balloon would become a form of common transportation.
Which of the following is the best way to combine sentences 9 and 10? The balloon held 215,000 cubic
feet of air and was 74 feet wide. It could handle four and a half tons of cargo.

A) The balloon held 215,000 cubic feet of air and was 74 feet wide, and it could handle four and a half
tons of cargo.
B) The balloon held 215,000 cubic feet of air and was 74 feet wide, handling four and a half tons of cargo.
C) The balloon held 215,000 cubic feet of air and was 74 feet wide, but it could carry four and a half tons of
cargo
D) The balloon held 215,000 cubic feet of air and was 74 feet wide, which could handle four and a half
tons of cargo.
E) The balloon held 215,000 cubic feet of air and was 74 feet wide; it could handle four and a half tons of
cargo.

2. Mathew ascended three flights of stairs--passed half-way down a long arched gallery--and knocked at
another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the
room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had
done speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the
threshold, with her candle in her hand.
Not tall, not handsome, not in her first youth--shy and irresolute in manner--simple in dress to the utmost
limits of plainness--the lady's-maid, in spite of all these disadvantages, was a woman whom it was
impossible to look at without a feeling of curiosity, if not of interest. Few men, at first sight of her, could
have resisted the desire to find out who she was; few would have been satisfied with receiving for answer,
She is Mrs. Treverton's maid; few would have refrained from the attempt to extract some secret
information for themselves from her face and manner; and none, not even the most patient and practiced
of observers, could have succeeded in discovering more than that she must have passed through the
ordeal of some great suffering at some former period of her life. Much in her manner, and more in her face,
said plainly and sadly: I am the wreck of something that you might once have liked to see; a wreck that
can never be repaired--that must drift on through life unnoticed, unguided, unpitied--drift till the fatal shore
is touched, and the waves of Time have swallowed up these broken relics of me forever.
This was the story that was told in Sarah Leeson's face--this, and no more. No two men interpreting that
story for themselves, would probably have agreed on the nature of the suffering which this woman had
undergone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on
her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had
suffered, the traces it had left were deeply and strikingly visible in every part of her face.
Her cheeks had lost their roundness and their natural color; her lips, singularly flexible in movement and
delicate in form, had faded to an unhealthy paleness; her eyes, large and black and overshadowed by
unusually thick lashes, had contracted an anxious startled look, which never left them and which piteously
expressed the painful acuteness of her sensibility, the inherent timidity of her disposition. So far, the
marks which sorrow or sickness had set on her were the marks common to most victims of mental or
physical suffering. The one extraordinary personal deterioration which she had undergone consisted in
the unnatural change that had passed over the color of her hair. It was as thick and soft, it grew as
gracefully, as the hair of a young girl; but it was as gray as the hair of an old woman. It seemed to
contradict, in the most startling manner, every personal assertion of youth that still existed in her face.
With all its haggardness and paleness, no one could have looked at it and supposed for a moment that it
was the face of an elderly woman. Wan as they might be, there was not a wrinkle in her cheeks. Her eyes,
viewed apart from their prevailing expression of uneasiness and timidity, still preserved that bright, clear
moisture which is never seen in the eyes of the old. The skin about her temples was as delicately smooth
as the skin of a child. These and other physical signs which never mislead, showed that she was still, as
to years, in the very prime of her life.
Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely
reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in
connection with her face, was not simply incongruous--it was absolutely startling; so startling as to make it
no paradox to say that she would have looked most natural, most like herself if her hair had been dyed. In
her case, Art would have seemed to be the truth, because Nature looked like falsehood.
What shock had stricken her hair, in the very maturity of its luxuriance, with the hue of an unnatural old
age? Was it a serious illness, or a dreadful grief that had turned her gray in the prime of her womanhood?
That question had often been agitated among her fellow-servants, who were all struck by the peculiarities
of her personal appearance, and rendered a little suspicious of her, as well, by an inveterate habit that
she had of talking to herself. Inquire as they might, however, their curiosity was always baffled. Nothing
more could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of
her gray hair and her habit of talking to herself, and that Sarah Leeson's mistress had long since forbidden
every one, from her husband downward, to ruffle her maid's tranquility by inquisitive questions.
What makes the term "unnatural" ironic as used in the passage?

A) For a young girl in every other aspect, this pain caused graying hair.
B) It was unusual that someone so young would have such markings.
C) The markings would be visible in every part of her face.
D) The gray hair was any more unnatural than any other markings was apparent.
E) We know her to be only around 30 with all these marks.

3. Alston was impressed by the philosopher's lecture, but Mario thought the lecture was better characterized
as ______ than as erudite.

A) fictitious
B) translucent
C) impeccable
D) recondite
E) specious

4. The main purpose of this story is to appeal to the reader's interest in a subject which has been the theme
of some of the greatest writers, living and dead--but which has never been, and can never be, exhausted,
because it is a subject eternally interesting to all mankind. Here is one more book that depicts the struggle
of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we
have all known.
It has been my aim to make the character of "Magdalen," which personifies this struggle, a pathetic
character even in its perversity and its error; and I have tried hard to attain this result by the least
obtrusive and the least artificial of all means--by a resolute adherence throughout to the truth as it is in
Nature. This design was no easy one to accomplish; and it has been a great encouragement to me
(during the publication of my story in its periodical form) to know, on the authority of many readers, that
the object which I had proposed to myself, I might, in some degree, consider as an object achieved.
Round the central figure in the narrative other characters will be found grouped, in sharp contrast--
contrast, for the most part, in which I have endeavored to make the element of humor mainly predominant.
I have sought to impart this relief to the more serious passages in the book, not only because I believe
myself to be justified in doing so by the laws of Art--but because experience has taught me (what the
experience of my readers will doubtless confirm) that there is no such moral phenomenon as unmixed
tragedy to be found in the world around us. Look where we may, the dark threads and the light cross each
other perpetually in the texture of human life.
Which word best describes the meaning of "personifies" in 1st paragraph?

A) contains the qualities of goodness
B) exemplifies perversity
C) embodies the basic evil within
D) takes on the characteristics of a pathetic character
E) represents as a human being

5. Jennifer liked third period best as her English professor was a most ______ fellow; so much so that there
was often no time left for student input, which suited her fine.

A) superlative
B) ingenious
C) garrulous
D) felicitous
E) facetious

Solutions: